King Leer
Leering since '97
Morrissey has obviously been doing this forever, but I've noticed that purists (especially those that worship The Smiths and see the solo years and secondary) get irked at the changes.
Is it because the changes inevitably lean toward the more straightforward, more sexual, less subtle, arguably less "poetic"?
I think it's interesting that Moz is taking a lyric like "...let me, let me, let me, get what I want" to "...let me, let me, let me, have who I want".
It's as if he's saying, THIS is what I meant all those years ago, and now I'm going to say it without any poetic encumbrance.
I think the lyric changes add another element to his live pop art (careful to avoide "performance") as they stimulate amusement, surprise and even anger at the desecration of sacred words.
I have no problem with lyric and vocal melody changes as it's like a barometer of where Morrissey is at Now. I can always enjoy the original studio recordings if I want.
Is it because the changes inevitably lean toward the more straightforward, more sexual, less subtle, arguably less "poetic"?
I think it's interesting that Moz is taking a lyric like "...let me, let me, let me, get what I want" to "...let me, let me, let me, have who I want".
It's as if he's saying, THIS is what I meant all those years ago, and now I'm going to say it without any poetic encumbrance.
I think the lyric changes add another element to his live pop art (careful to avoide "performance") as they stimulate amusement, surprise and even anger at the desecration of sacred words.
I have no problem with lyric and vocal melody changes as it's like a barometer of where Morrissey is at Now. I can always enjoy the original studio recordings if I want.
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