Pulled this text (testing out a gadget) out of a scanned version of Rogan's albums book:
"Wide To Receive The first song in which Morrissey has ever used computers as a metaphor ends with one of his more mournful meditations on loneliness. Is it a love song? "Yes," Morrissey says, "it's supposed to be, but I'd never dash out on a limb. It's supposed to be an Internet song. You know, lying by your computer waiting for someone to tap into you and finding that nobody is, and hence being wide to receive. How awful, of course, to be wide to receive and finding there's no reason to be. Boz Boorer closes the track with an attractive clarinet solo but even that cannot disguise the lack of musical adventure. The sole Morrissey/Cobrin collaboration on the album, this appears to have been included almost as an afterthought. "It was originally a B-side," Bridgwood confirms. "It was then promoted to the album in favour of Boz's 'I Know Who I Love' which was itself demoted to a B-side, then dropped completely. The end of 'Wide To Receive' features the same chord progresion as the Beatles' 'Dear Prudence'. I remember when we were doing it, it was so tempting just to duplicate that bass part but obviously we didn't want to make it sound like that. It's an iconic chord progression and once you hear it you know exactly what it is. I wasn't too keen on the track really. I thought it was probably the weakest song on the album, along with the throw- away 'Roy's Keen'."
I can find Krix's information about Candle, but no removed version escaping or anything more about the '97 version.
Regards,
FWD.