8 Album Covers W/ Photo Of Someone Other Than The Artist: Miles Davis, Morrissey, etc. - MusicTimes

[Belligerent Ghoul]

8 Album Covers With A Photo Of Someone Other Than The Artist: Miles Davis, Morrissey, And More - Music Times
by Joey DeGroot
http://www.musictimes.com/articles/...the-artist-miles-davis-morrissey-and-more.htm

8. Morrissey - Southpaw Grammar (1995)

Though the Morrissey-designed sleeves for all of the Smiths' releases usually featured photos of celebrities or movie stills, he abandoned this practice for his solo career, opting instead to appear on his own album covers. However, the one Morrissey solo album that doesn't feature a photo of the singer on the cover is 1995's Southpaw Grammar, which instead features a photo of boxer Kenny Lane taken from a magazine. A more customary photo of Morrissey would replace the original cover for the album's 2009 reissue, however.

 

[Belligerent Ghoul]

Re: 8 Album Covers W/ Photo Of Someone Other Than The Artist: Miles Davis, Morrissey, etc. - MusicTi

13 Albums That End With Their Title Track: Bruce Springsteen, Sinead O'Connor, And More
by Joey DeGroot - MusicTimes
http://www.musictimes.com/articles/...bruce-springsteen-sinead-oconnor-and-more.htm

9. The Smiths - Meat is Murder (1985)

It's a good thing that the Smiths decided to place the title track to Meat is Murder at the very end rather than the very beginning, because if it were the album's opening track, it would have bummed everyone out too much to keep listening (and not in a typically angsty "bummed out listening to the Smiths" way either).

 

[Belligerent Ghoul]

Re: 8 Album Covers W/ Photo Of Someone Other Than The Artist: Miles Davis, Morrissey, etc. - MusicTi

The 10 best… second albums
From Nirvana’s Nevermind to Public Enemy’s It Takes a Nation of Millions, Kitty Empire picks the best ever second albums
by Kitty Empire, The Guardian
http://www.theguardian.com/culture/2014/aug/15/the-10-best-second-albums

2) Meat Is Murder

The Smiths, 1985

Carnivores aren’t the only ones getting it in the neck on the Smiths’ gloriously realised second record – abusers of all kinds are in Morrissey’s crosshairs, from headmasters to the Queen, via love interests who scorn him. Produced by Morrissey and Johnny Marr with Stephen Street, MIM sounds more full-blooded than anything they had previously recorded – notably Hatful of Hollow, the compilation that preceded it. Best of all, it mixed unexpectedly funky references into the shreds of the rulebooks Marr had torn up with his guitar.