Post your info and reviews related to this concert in the comments section below. Informative and interesting posts will be moderated up and highlighted. Other links (photos, external reviews, etc.) related to this concert will also be compiled in this section as they are sent in.

Kewpie sends the links to the post in the forums by lutewhine (via Morrissey reddit):

Reissue promo sleeves
and
No Roy's Keen on Maladjusted reissue - confirmed

Click to enlarge

Click to enlarge

Roland writes:

An anonymous person sends the link:

GIRLFRIEND ON A SPEED DATE - NY Post

By MANDY STADTMILLER
Turbo dating to angst-ridden songs: Is it really so strange?
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• Related item: Smiths/speed dating night in Brooklyn (Jan. 29) - Jan. 17, 2009

Torr sends the link / excerpt:

1000 songs everyone must hear, Part one: Love
The Guardian, Saturday 14 March 2009

There is a Light That Never Goes Out
The Smiths
1986

This sublime ballad from The Queen is Dead defines the multi-dimensional brilliance of Morrissey’s lyrics. The poetic longing makes you cry; the black comedy of the chorus makes you laugh. But the delirious melodrama also implies that love and death are identical objects of desire. While Moz spins your head with “the pleasure and privilege” of being mown down by double-decker buses and 10-ton trucks, Johnny Marr’s glistening guitars and exquisite orchestral arrangement cast their own mystical spell. GM

Irregular Regular writes:

Guillaume Metayer writes:

http://www.youtube.com/watch?v=ytdGessAnaU

A. writes:

Torr sends the link:

The boys looked at Johnny
The Observer, Sunday 15 March 2009

The Smiths' guitarist Johnny Marr and Pet Shop Boys may seem to come from opposite ends of pop: one laddish with guitars, the other disco-synth and ironic. But their sensibilities merge, and since Marr quit the Smiths, they have collaborated consistently and fruitfully. They first met by chance in an elevator at the Mondrian Hotel in Los Angeles in 1987, when Marr said how much he liked the song Hit Music on the latest PSB album Actually. Two years later, they were working at Marr's house in Manchester on his Electronic project with Bernard Sumner. Marr then played guitar on a couple of tracks on the Behaviour album, and in 2001, on Release, recorded at Neil's house in County Durham, he appeared on almost every song. On Yes, he plays on five tracks, each possessing what Neil Tennant calls "that beautiful light acoustic style with a swing to it. It is very distinguishable: you can also hear him on the Modest Mouse record and you think, 'Here's Johnny...'"

Tennant and Chris Lowe sat for Marr's questions at Home House members' club in early March. They said that one day they would get him back.

JM: Who are the greatest British men and women?

NT: Yes, your influence is primarily the street. I get everything from books really - what's on the telly, what's on the radio. I'm probably meant to say Noël Coward, aren't I? But I don't really feel that personally influenced by Noël Coward. I've always liked kitchen-sink dramas. My favourite film is The Servant by Joseph Losey. Like Morrissey, I find the legends of British working-class culture fascinating. Maybe unlike Morrissey, I also find the legend of British middle-class culture very attractive too. They are all about resilience, and making do, and not making do, rebelling against it or settling for it. I prefer black and white films to colour films, for some reason.

Paul Miller writes: