The Smiths

Remembering ‘Bands Reunited’, the show that tried and failed to reunite The Smiths - Tyler Jenke / Tonedeaf / thebrag.com

Excerpt:

"With the iconic vocalist performing a five-date residency at New York City’s Apollo Theatre in May of 2004, the show’s producers hit upon the idea of simply staking out the venue in hopes of catching Morrissey before he turns up to soundcheck.

While this is a relatively solid idea on paper, its realisation soon heads south, with a six hour stake-out resulting in little more than Morrissey jumping out of his limo, heading into the venue, avoiding the crew, and leaving them without any hopes of a future reunion.

For many fans, the image of Aamer Haleem sobbing against a van is ingrained within their memory, as others wonder why they maybe didn’t try another approach."
...

Remembering the brilliance of Derek Jarman’s Smiths film ‘The Queen is Dead’ - Far Out Magazine (July 19, 2019)
By Kelly Rankin

Excerpt:

"Jarman worked with several music artists over the years, collaborating with the likes of the Sex Pistols, Marianne Faithful, Patti Smith and Pet Shop Boys, to name a few. But the Smiths were one of his first and most regular collaborators. ‘The Queen is Dead’ is a “Super 8 film triptych” made up of the Smiths hits; ‘The Queen is Dead,’ ‘There Is A Light That Never Goes Out’ and ‘Panic.’ It’s an amalgamation of recycled images and clips expressing Morrissey’s deep-cutting lyrics and Marr’s hit melodies. Jarman’s film is disorientating and so eighties that today, it could be mistaken as parody (and I mean this in the most positive way possible)...

Special limited edition hardback numbered from 1-500 and signed by the author.

"The Smiths – The Day I Was There tells the story of The Smiths in the words of over 400 fans from Britain and the US. With memories from the earliest Smiths shows at UK clubs through to the last ever gig at London’s Brixton Academy, you’ll see a portrait of The Smiths from the perspective of fans, promoters and support acts with personal photographs, memorabilia, fascinating anecdotes and stories that have never been published before."

Publication date: 29th September 2019.
Price: UK £24.99 US $32.00

Cover photo by Stephen Wright.

https://thisdayinmusicbooks.com/books/the-smiths-the-day-i-was-there/

The book was announced in January and featured...

BLUE RONDO A LA TURK - Morrissey Central
July 8, 2019

"I liked them because they seemed two jumps ahead of everyone else. The mere sight of them suggested big league, but they didn't quite get that far. They were one of the very few groups that the Smiths supported, but there was a scepticism about them being just 'club models' … who asked and got. This was said also about very early Roxy Music … who appeared to be quite affluent before they'd even had a hit. With Blue Rondo, again, you suspected that they were given all of their fantastic suits for free whilst the rest of us had to dream of being able to buy SOMETHING that didn't look TOO abysmal. The main electric spark was their dancing which was very virile and athletic … and even though they came from the Blitz/Billy's scene they seemed like supermale prizefighters or nightclub heavies … deep-chested vocals, narrow-hipped, and very much a...

shame there’s no moz in the 90s playlist but maybe they thought piccadilly palare was simply nowhere near the brillance of rupaul’s “super model (you better work)”

nice johnny interview

Best Glastonbury headliners: the greatest Glastonbury performances of all time - Shortlist

7. The Smiths, 1984



Morrissey 1984 interview on YouTube
Long before Glastonbury was commandeered by posh twentysomethings in designer waterproofs and £100 wellies, it was widely accepted that Pilton’s premier festival was for proper hippies.

That’s who made up the unreceptive crowd that greeted Morrissey, Marr and co in 1984. And while it was by no means a set worth recording and releasing on Betamax, it spawned what must’ve been the world’s least threatening stage invasion and helped to alter the course of the festival towards what became known as indie music, eventually turning it into the cultural behemoth it is today.

David T better put THIS on the front page as a news story:

https://www.farfetch.com/ar/shoppin...print-t-shirt-item-14112389.aspx?storeid=9462

YSL is owned by Kering: https://www.kering.com/en/

The company which also owns GUCCI saw net revenue of €13.665 billion in 2018. So I don't know what the f*** that lady at Spillers was doing but whatever it was, it def did not put the spotlight on her as having good business acumen.

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Black shirt available at Saint Laurent site:

THE SMITH T-SHIRT - Saint Laurent
$420
ROUND NECK, SHORT SLEEVE JERSEY T-SHIRT.
100% COTTON
MICRO-RIBBED COLLAR
SHORTER RAW-EDGE HEM AT BACK
STYLE ID 588103YBHI21095...