If I remember correctly, at one of the vegas shows he said something along the lines of “the backing vocals were done by none other than Miley Cirus, to whom I am forever enslaved” etc etc. Further into the fog we fall, we were just following him…
Morrissey has voluntarily parted company with Maverick/Quest management. Morrissey has also voluntarily withdrawn from any association with Capitol Records (Los Angeles.)
https://www.morrisseycentral.com/messagesfrommorrissey/roll-on-2023
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Can’t help but point out how quantized and stiff it all sounds. Instruments sounding like they’ve been rigidly programmed to a grid. The music production nerd in me is having a field day lmao
Oddly, with headphones I thought it was much easier on the ears. The mix is pretty spacious, and that bass is just sexy (imo the one redeeming quality of this)
I concur. Though I’ve only been a fan for a mere two years, it seems like his current touring band is the best he’s had in a while. I think bringing back Alain and recruiting younger musicians has really spiced up the sets and brought much more energy
LOL - I’ve too. I’ve had the thing on repeat since he premiered it in Vegas. In a live setting, the song has actual grace and charm, which really goes to show how production can make or break something I think
I was thrilled beyond belief to see something released, and after obsessively listening to it on loop I’m having a sort of post-nut moment of clarity. This thing is a mess
I really hope these vocal effects don’t plague the rest of the album. With this and the snippet of Veronica, I can’t help but wonder how the ballads like Saint and Oblivion will sound
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