God bless you. That documentary sure has given me a lot of solace. I received it as a gift from Teresa on a DVD-R or summat, and it helped keep my head above water.
I think there’s a “theme” musically. This whole “album” musically has a nostalgic, warm, melancholy vibe and I think these songs fit nicely together. And most of the songs are inner reflections concerning love, death and alienation. I think it would have worked.
Adjectives? No, mate. It’s the obvious and unwarranted contempt and the personal attacks that baffles me and makes me think that you might not be doing so well. The rest of us are having a lighthearted conversation about music.
I agree, but the point is that he should be on that level. He should be able to play stadiums if he wanted to. He has the catalog for it and the decades long legacy.
Oh, give over. I think you’re just being deliberately obstinate. Had these songs been released between 1988-1997, you would have devoured them with gusto.
But these are not his experiences. He tells a story of someone fallen by the wayside. Not unlike what he did with NF Disco (albeit in a foreign setting). And the sound is robust and almost post punk in a way, which is great since I too can’t stand the Latin and world flavors that permeate WPINOYB.
Perhaps even the only album released post Refusal. This place would be so much more joyful. I can’t imagine Covid or the war in Ukraine happening either.
The title of the album would be Blue Dreamer’s Eyes. And this would be the front cover shot.
1. Blue Dreamers…
2. Istanbul
3. Forgive...
Looking at the world, that does not seem to be the case. I think that’s very rare, in fact. But let’s hope it can become true and that the cognitive dissonance ends.
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