posted by davidt on Saturday May 10 2008, @12:00PM
Merck Mercuriadis writes:
Hi Everyone,

Re the below rumour ("Morrissey Vs. NME - anecodtal development" - May 8) the facts are very simple. I was forewarned by another artist that Conor McNicholas had told them that he was coming to LA and had a reservation to stay in the same hotel as Morrissey. The implication was that this was mischievous and would purposely serve to make Morrissey "uncomfortable" while he was in LA making the new album. I have a very good relationship with the hotel, as a regular and long term resident over many years, and when I explained the situation to them they agreed it would not be appropriate for Conor to stay there. When Conor arrived they met him at the door and courteously pointed him to a hotel that they had arranged for him to be relocated to. Morrissey was not in the foyer and was not even aware of the situation or my tactical move until afterward. In fact Morrissey has never even met or laid eyes on Conor McNicholas. The old cliche of "I wouldn't know him if I ran him over" holds true although the poetic justice in that would be magnificent - yes I am the ass!

Best wishes,
Merck
posted by davidt on Saturday May 10 2008, @12:00PM
WeMissUMoz sends the link / excerpt:

The 25 Best "Best Of" Albums - by Rob O'Connor, List Of The Day, Yahoo! Music Blogs

15) Louder Than Bombs--The Smiths: Another band that made nice albums but even nicer singles. And much like the Cure didn't always bother to put their singles on their albums. It's a British way of doing business, whereas here in America (where I'm paying taxes) our bands have always used the single as the sucker punch to make us buy the whole album. For a British group, they make you buy the single or wait what seems like a very long time to buy the eventual "Greatest Hits" collection. Then once they break up, it seems as if they never run out of ways to reconfigure the same hits.
posted by davidt on Saturday May 10 2008, @12:00PM
Charlus sends the review from The Big Takeover:

charlus
tragic accident
(Charlus)

The resemblance of this dramatic duo’s lead singer and lyricist, Daniel, to Morrissey is so uncanny, you might initially mistake this to be the ex-Smiths leader’s new side project (on “I Lost My Baby,” you won’t be able to tell the difference!). Perhaps he lacks The Mozzer’s self-depreciating humor, but neither does he mince words, as evidenced by song titles such as “I Never Liked My Body” and “I Am Secretly In Love With You.” And the industrial-strength opener, “The Opium Farmer” (which introduces bandmate Paul Opalach’s percussive synths), chronicles a suicide bomber’s fate. Daniel’s assertive, frank personality and slightly narcissistic tendencies may be an acquired taste for some, but his sturdy, affecting vocals, coupled with Opalach’s bright, occasionally danceable rhythms, are likely to draw you in despite your misgivings. (charlus.org)

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