posted by davidt on Monday October 16 2006, @11:00PM
Aly Panic writes:
Moz was mentioned twice on BBC2's Culture Show.

Outkast's Andre 3000 said Morrissey was an influence on his work and praised Moz's melodies.

Russell Brand nominated Moz as the Greatest Living Cultural Icon in the UK.

You can see the Outkast interview and nominate Morrissey as Britains Greatest Living Icon at http://www.bbc.co.uk/cultureshow/
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Hero in Prison writes:
The BBC are lauching a poll to find the UK's greatest living cultural icon. See
here for further details.

Excerpt

To spark people's imagination, this Saturday's programme has asked some well-known faces for their suggestions.

Russell Brand reveals why his icon (and the name of his cat) is Morrissey; Lilly Allen nominates Liam Gallagher; David Bailey supports Damien Hirst; and Trevor Beattie argues the case for Kate Moss.

Viewers can nominate their greatest living icon by text on 83199 or by email to [email protected].

bbc.co.uk/livingicons has full details about how to vote and a message board which is sure to see some lively debate...
posted by davidt on Monday October 16 2006, @11:00PM
Jake writes:
I saw this interview on Obscure Sound...

the guitarist for The Dears, Patrick Krief, had this bit to say about Morrissey:

Well, I’m sorry to disappoint anybody by saying this. But I can’t deal with
Morrissey.. I never liked his music. I do hear the occasional reference in
The Dears, but man, I think people are just lazy, They need to put a label
on things.

Opening for Morrissey was a sad sight man. Seeing what success can do to
people is pretty painful. Being asked to leave the building when he’s
crossing the corridor, or being told to not look directly at him made me
sick!

Sometimes its better to not meet people you admire. The whole band was
pretty upset by the whole encounter. Luckily for me, I’m not a fan.


Wow! Sounds interesting. Not allowed to look in Morrissey's direction? Funny.
posted by davidt on Monday October 16 2006, @11:00PM
the love of wilde writes:
The Globe and Mail cites Moz as a shining example of all that is right with pop singers in an otherwise grossly overproduced/auto-tuned culture... I'm sure this article would solicit a knowing smile and nod from the great man himself

link: Ruled by Frankenmusic - globeandmail.com

Excerpt:

I was listening to Morrissey sing Dear God, Please Help Me, on his recent album Ringleader of the Tormentors, when I had one of those moments of revelation that sometimes happen in pop music. As that light, vulnerable tenor floated above the song's gliding beat, I realized that I was hearing something that has been banished from whole sectors of the recording industry: a man singing out of tune.

He's not far off the pitch, most of the time, though enough to notice if you have an ear for that sort of thing. One descending line sags a little each time he sings it, especially at the words "track me down," when he slides a full tone flat at the trailing end of the phrase. He goes sharp, too, pushing a bit too high each time he reaches the last and highest-pitched words of the final refrain, "but the heart feels free." At this point in the music, Ennio Morricone's orchestral arrangement has reached its full magnificence, all the tension Morrissey sang about in the opening lines has dissipated, and you're left with the very tactile symbolism of a voice straining upwards as the heart feels its freedom.

Dear God, Please Help Me is one of the most beautiful songs of the year (also one of the most mischievous, since it portrays a sexual tryst as an encounter with divine mercy), and its flaws are part of its beauty. It might not have turned out nearly as well if Moz were up to date, and used Auto-Tune like everybody else.

Auto-Tune, in case you haven't heard, is a top-selling software program that corrects pitch for musicians who can't always do it themselves. It became headline news three years ago, when country singer Allison Moorer attached stickers on her album Miss Fortune that read: "Absolutely no vocal tuning or pitch-correction [technology] was used in the making of this record."
posted by davidt on Monday October 16 2006, @11:00PM
Luis writes:
The pre sale dates are Oct 18 and 19 with the bank "Banamex"

Mexico City:
Floor: $580 (no seats)
B $900
C $380
D $220
No "E" section, as it will be closed

Guadalajara
Floor $450 (No seats)
and the other part is $300 (Seated)
but there´s a couple of sections yet to be confirmed
---

Scan of flyer from Sandra:
---
francisco beristain also writes:
according to the newspaper reforma, which already has the official promo, the tickets for banamex users, which were going to be avaliable october 16th, will now be avaliable october 18th
posted by davidt on Monday October 16 2006, @11:00PM
alainsane writes:
This web site hosts the "beautifully filmed video" for "The Youngest Was the Most Loved" and provides extended video production credits including following:
  • Director: AV Club
  • Record Co: The Sanctuary Group
  • Production Co: The Directors Bureau
  • Producer: Ute Leonhardt / Anne Johnson
  • Director Of Photography: Jesse Green
  • Production designer/Art director: Luca Merlini
  • Wardrobe: Anna Lombardi
  • Location: Rome, Italy
  • Offline Editor/Suite: Guy Harding
  • Telecine Artist/Suite: Sean Coleman
  • Online Artists/Suite: Libor Zednicek
posted by davidt on Monday October 16 2006, @11:00PM
Dake writes:
Swedish Radio P3 will broadcast their recording of the gig in Karlstad the 8th of august at 9.03 p.m. according to their website.

Normally they broadcast online. If, then Morrissey-fans all over the world will be able to listen to the show. If we are lucky the recording includes Morrissey´s version of Roxy Musics "Streetlife" that were played as the first encore that night.
posted by davidt on Monday October 16 2006, @11:00PM
Retired Whore writes:
The song's been selected as the best song about work... (via Kofi's hat blog)
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